Master L. Cz.

Master L. Cz. was an anonymous late 15th-century German Renaissance printmaker. Only twelve engravings by his hand are extant, but their virtuosity establishes him as a talented artist whose work marks a stylistic transition between that of Martin Schongauer and Albrecht Dürer.

Twelve engravings by Master L. Cz. are extant; of these, ten are signed, and only two are dated. These works display the influence of Master E. S., the Housebook Master, and especially Martin Schongauer. While the earlier prints are more derivative of Schongauer, later prints, especially The Temptation of Christ, show a mature artist working in his own style.

The evolution of Master L. Cz.'s style can be broadly outlined through an examination of his engravings. Lady with a Servant in a Meadow (c. 1480-85) is an example of his earliest, least sophisticated work, in which the figures and drapery are "stiff", "arbitrary" renditions of Schongauer's more elegantly drawn women, and the stylized landscape the figures inhabit is derived from the work of Master E. S. Other early works show that L. Cz. soon began to move away from the "all-purpose medieval foliage" of Master E. S., placing the figures in Two Women on a Bridge and St. George and the Dragon (both c. 1485-90) in relatively naturalistic landscapes. Despite this development, Master L. Cz.'s engraving technique in the early works remained "harsh" and "severely methodical".In the middle period Master L. Cz.'s technique became increasingly sophisticated as he continued to experiment with the integration of figures into landscape backgrounds. In Maiden Taming the Unicorn (dated 1492) the figures are deftly drawn and clearly stand out from the dense natural growth around them, as opposed to the earlier St. George and the Dragon, where the dense over-application of cross-hatching on the figures seems to flatten them into the background. The Sudarium Supported by St. Peter and St. Paul, his only other dated work (1497), is also from this period.

The final period includes only two engravings, The Temptation of Christ and Entry into Jerusalem, but these are Master L. Cz.'s best and largest works. In contrast to the awkwardness of his early works Master L. Cz. now displayed "enormous virtuosity with the burin in creating varied effects of texture".The Temptation of Christ is his most famous and common print, existing in about 20 impressions. It draws inspiration from the compositions of Michael Pacher and Master E. S., but marks a step forward from these models by integrating the monumental confrontation between good and evil into a fully realized landscape setting apparently observed from nature. In particular, the design of Satan recalls the demons from Schongauer's The Torment of St. Anthony while providing a notable precedent for Albrecht Dürer's depiction of the devil in Knight, Death, and the Devil.

Beyond providing specific models for later artists, the sheer size, ambition, and technical inventiveness of Master L. Cz.'s late work suggests his most important contribution: that he "developed a new concept of engraving as a medium capable of rivaling painting."

Text courtesy of Wikipedia, 2023