The Death of the Brigand
Probably exhibited at the Paris Salon of 1824. It was principally brigand scenes like this which established Robert’s high reputation with private collectors (see also Robert, 'The Brigand on the Watch', P590 and 'The Brigand Asleep', P591). Their popularity led him to repeat some compositions several times and to develop episodic themes. The brigands who operated in the countryside near Rome were a real threat to travellers, though they also possessed some renown as romantic figures and were often depicted by artists (cf. Horace Vernet, 'The Brigand Betrayed', P577). In 1820 Robert was able to sketch in Rome the families of suspected brigands who had been brought to the city by papal troops.
1824
Oil on canvas
46.3 x 37.5cm
P592
Images and text © Wallace Collection, 2017
Where you'll find this
The Wallace Collection
Permanent collection