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My Vows brings together hundreds of photographs that each present a small part of a human body: mouth, ear, foot, nose, genitals, hand, breast, and so on. Each hangs from a string, joining and partly obscuring others. Together they make a dense circle whose diameter is barely greater than the height or arm span of a tall person. The individual elements—male and female, old and young, seductive and repellent—form a whole that is greater than the sum of its parts. Physical, psychological, and sexual identities commingle in an inexhaustible variety of unpredictable relationships, which together threaten to overwhelm the stable patterns of our familiar arrangements.

This work brings together hundreds of photographs, each of which presents a small part of a human body: mouths, ears, feet, noses, genitals, hands, breasts, and so on. Each hangs from a string, joining and partly obscuring others. Together they make a dense circle whose diameter is barely greater than the height of a person or the span of his or her arms. The individual elements—male and female, old and young, seductive and repellent—form a whole that is greater than the sum of its parts. Their physical, psychological, and sexual identities co-mingle in an inexhaustible variety of unpredictable relationships, which, together, overwhelm the stable patterns of our familiar arrangements. Messager's Vows might be the passionate devotions of sexual love, or they might be the votive offerings of an old religion, hung in a chapel to ask for the healing of an ailing eye or limb. These divergent allusions are fused in this hybrid work—part photography and part sculpture. My Vows (Mes Voeux). 1988-91

Credit: Gift of the Peter Norton Family Foundation

1988-91
Gelatin silver prints, colored pencil on paper, glass, tape, string, and pushpins
308.1992
Image © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris
Text © MoMA - Museum of Modern Art, New York

Where you'll find this

The Museum of Modern Art
The Museum of Modern Art
Permanent collection