After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden. Around 1632 he moved to Amsterdam, quickly establishing himself as the town’s leading artist, specializing in history paintings and portraiture. He received many commissions and attracted a number of students who came to learn his method of painting.
Although this painting was once highly regarded as a famous self-portrait, technical and stylistic evidence indicates that it was created by an unknown artist in Rembrandt’s workshop. The paint mixtures, types of pigments used, and presence of a double ground—a red lower ground covered by a dark gray upper layer—are all consistent with the materials and practices used in his workshop.
This painting is unusual in that the costume is executed in a manner quite different from the face; whereas the features are modeled with delicate nuance, the costume is hinted at with a variety of bold techniques. Rembrandt’s portraits generally do not show such markedly different techniques in the face and the costume. This and other stylistic considerations are sufficient to remove the painting from Rembrandt's own oeuvre. It may well be that Rembrandt, after having posed for this painting, approved its concept and manner of execution before allowing its sale. To judge from the number of self-portraits Rembrandt painted and etched, and from the numerous portraits of him made by members of his workshop, there was a ready market for images of the artist.
Credit: Widener Collection