Object Image

Retable (Depicting Madonna and Child, Nativity, and Adoration of the Magi; Altar Frontal Depicting the Resurrection and Six Apostles)

The only surviving embroidered altarpiece from Spain, this sumptuous work re-creates the characteristic elements of a painted retable from the Spanish kingdom of Castile. They include the base, or banco, with the Resurrection at its center, and a cult image of the enthroned Virgin and Child crowned by a small scene of the Crucifixion. In the wide fame, angels' heads alternate with the owner's arms, mimicking the dust guard or guardapolvos typical of painted altarpieces. Pedro de Montoya, the owner, was the active and worldly bishop of the diocese of Osma; he no doubt appreciated both the portability and rich surface offered by the embroidery.

Credit: Gift of Mrs. Chauncey McCormick and Mrs. Richard Ely Danielson

c. 1468
Linen plain weave ground appliquéd with linen and silk plain weaves and silk velvet; embroidered with silk floss and creped threads, gilt- and-silvered-metal-strip-wrapped silk threads, seed pearls and metal spangles
167.0 x 203.5in
1927.1779a-b
Image and text courtesy of Art Institute of Chicago, 2019

Where you'll find this

Art Institute of Chicago
Permanent collection