Soliton

Formed of cool, indeterminate shapes, Soliton possesses the geometric inclinations of Morton's more recent work. Taking its name from the mathematical phenomenon of a solitary wave packet, Soliton channels Morton's plural interest in expression and communication. Having meanings related to physics, neurology and optics, its seemingly specific title leaves the work unfixed. Morton's musical practice inflects the work with another interpretation through the notion of sound waves. While the composition of Soliton can be read through the peaks and troughs of a current, it evades direct representation. Morton's works are often described as overwhelming; their large scale and intricate compositions envelop the viewer.

Soliton is the first in a series of five large-scale paintings by the artist drawing on themes of light, optics, health and free will. It was purchased by the Trustees of the Hamilton Bequest in 2018, along with Photosynthesis, the last in the series. These two paintings are the final two purchases made by the Bequest for Glasgow Museums.

Hamilton Bequest Trustee Karen Primrose writes: 'Victoria Morton's Soliton is one of my favourite paintings. There are only a handful of female artists represented in the Collection, so I am delighted we have championed a local, living, contemporary Scottish artist for the Bequest`s final painting for Kelvingrove. I was lucky to meet Victoria in her Glasgow gallery and to hear her speak about her work and inspirations from music.

Soliton on initial glance has beautiful translucent greens, pinks and yellows which pull you in and then on a longer gaze turn into nebulous shapes with nearly visible figures sitting behind a veil of floating, moving, dancing colours. It is a beautiful, captivating and tranquil painting.'

Credit: Donated to Glasgow Museums by the Trustees of the Hamilton Bequest, 2018