Image restricted by copyrightWe cannot display it on Smartify.
Object Image

In the late 1920s and 1930s Mexico's most famous muralists, Orozco, Diego Rivera, and David Alfaro Siqueiros—known as Los tres grandes (The Big Three)—spent significant time living and working in the United States. Although their styles differed dramatically, the slain revolutionary peasant leader Emiliano Zapata (1879–1919) figures prominently in their work. Unlike Rivera, who always took a celebratory approach in representing Zapata and his supporters, in this painting Orozco depicts a somber moment in the Mexican Revolution as Zapatistas—Zapata's followers—march toward their death. "I don’t trust revolutions or glorify them since I witnessed too much butchery," Orozco later remarked. His trademark palette, dominated by blacks and earthy reds, underscores the violent nature of the subject matter and echoes the colors in the political caricatures he made early in his career for revolutionary journals.

The slain revolutionary leader Emiliano Zapata (1879–1919) figures prominently in the work of Mexican artists of the 1920s and 1930s. In this painting Orozco depicts a somber moment in the Mexican Revolution, as Zapatistas—Zapata's peasant followers—march to their deaths. "I don't trust revolutions or glorify them, since I witnessed too much butchery," Orozco later remarked, referring to his experience in the Revolution. His trademark palette, dominated by blacks and earthy reds, underscores the violent nature of the subject matter and echoes the colors in the political caricatures he made for revolutionary journals early in his career.

Credit: Given anonymously

1931
Oil on canvas
114.3 x 139.7cm
470.1937
Image © 2019 José Clemente Orozco / Artists Rights Society (ARS), New York / SOMAAP, Mexico
Text © MoMA - Museum of Modern Art, New York

Where you'll find this

The Museum of Modern Art
The Museum of Modern Art
Permanent collection