Object Image

Self-Portrait

Lievens painted this life-sized portrait of himself in profile, his face exuding a meditative calm. But how can a painter paint himself viewed from the side? Perhaps this was made possible by an ingenious arrangement of multiple mirrors. And why paint himself lit from behind so that the face itself is in shadow?

The melancholy artist The white areas have been painted using thick layers of paint, creating an uneven surface that catches and reflects the light in a shimmering way. By contrast, the rest of the painting uses a succession of thin, smooth layers; when the painting is viewed from a distance and in the right light, the contrast between light and shadow is accentuated. In Lievens’s ...

c. 1635
Oil on panel
52.0 x 40.5cm
KMSsp413
Images and text © National Gallery of Denmark, 2018

Where you'll find this