Lyssons Estate, St. Thomas in the East, Jamaica
Hakewill's watercolor Lyssons Estate, St. Thomas in the East, Jamaica emulates J. M. W. Turner's "Plymouth Dock from Mount Edgecumbe." But while the landscape is composed in a Turneresque fashion, the crucial difference between Plymouth and Jamaica lay in the existence of slavery. The figures of enslaved Africans placed by Hakewill at the lower right contrast with Turner's boisterous group of sailors, the embodiment of English liberty.
Both these estates were owned by the Taylor family, immensely wealthy planters. The "Change of Air House" was described by Hakewill as being "for the use of convalescents on the estate." This, however, refers only to the white population. The "slave hospital," where terrible suffering was endured, was a very different environment.
Gallery label for Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
Credit Line: Yale Center for British Art, Paul Mellon Collection
between 1820 and 1821
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
30.8 x 41.9 cm
B1977.14.1962
Digital image courtesy Yale Center for British Art; free to use under the Center's Image Terms of Use
Where you'll find this
Yale Center for British Art
Permanent collection
