Forming a dance trio with masks known as gu and zamble (also on display in this case), zauli—or, “the Ugly”—is sometimes identified as zamble’s elder brother or father, and functions as his handsome counterpart. Zauli is everything that zamble is not: dirty, disorderly, brusque, rude, greedy, and somewhat funny. The mask is both admired and feared for its sudden mood swings and supernatural power. Even though Guro masks are now held primarily for entertainment, they were originally developed to divert evil.
Credit: Restricted gift of Mr. and Mrs. Eugene A. Davidson
Early/mid–20th century
Wood, kaolin, and metal tacks
63.0 x 17.5cm
1976.21
Image and text courtesy of Art Institute of Chicago, 2019
Where you'll find this
Art Institute of Chicago
Permanent collection